I'm a big fan of improv, especially its connection with liturgy. I've taken several improv classes over the years, mostly 2-hour classes here and there.
Casey Fitzgerald over at Faith and Wonder found a Foundations of Improv class through the Washington Improv Theater and we signed-up for the Monday afternoon, 8-week class. MaryAnn McKibben Dana is taking the same class at another time during the week. Looking forward to reflecting with my improv peeps.
The class was advertised like this: Discover a new sense of freedom and play. Meet fun and other interesting people. Get away from the grind of the scripted city. Unleash your creativity and learn more about yourself.
Thinking that could be a new PR language for Church of the Pilgrims.
Our first class was this past Monday. Here are some my take-aways, including some insights from our teacher.
- Mistakes are where the magic happens. 'nuff said.
- We did a game called "Bid-did-it." It involved snapping fingers along with calling out one word that built upon the person next to us. Basically everyone is snapping and words are going around a circle. I found myself trying to plan ahead for my word. "When it gets to me, I'm going to say THIS WORD." Funny. Turns out it's hard to listen to people if I'm trying to control the crap out of my mind. Casey commented later that you can't listen to anyone else when you are thinking about your next step.
- Our teacher added later in an email: If you are listening fully, you cannot be thinking ahead and therefore your response is almost guaranteed to be based on what you heard.
- Snapping got my out of my head, used another part of my brain. Harder to obsess over my own thoughts when snapping.
- In the spirit of listening, our teacher shared this: I am also a big fan of the adage someone else said of, "Listening is the enemy of anxiety." It is physically impossible for our brains to be anxious and to be listening at the same time. Truly. So if you find yourself ever freaking out or anxious, in any situation, try to gently remind yourself to listen to whatever is happening. You cannot freak out and listen at the same time. Suhweet! Instant anxiety cure!
- We did a game that invited us to call out something about ourselves, others either stood next to you if they had the same experience or stood at the other side of the room if didn't have that experience. Someone called out "I like processed cheese!" Most of us laughed. When we bring our personal experiences into the circle, and when we are specific, we bring our true selves to the space.
- The work of improv involves dissolving the instinct to just waiting around in a conversation to have space to share your own thought. "Boy, can't wait for this person in from of me to stop talking so I can share my own shit."
- Improv is training ourselves to have ideas and be ready to let them go.
- We did some basic scene work. Our task in a scene is to listen and agree. And trust what our partner is going to bring to the scene.
- Our teacher offered this up: If character 1 says, "The sky is orange," the sky IS orange. We cannot refute or argue this. However, that doesn't mean that we have to like that the sky is orange. For instance, it can make our character sad, or confused or scared. We can react to the sky being orange in any way, even with anger, but we just can't dismiss the idea or argue with the premise itself. This is agreement.
Did I mention our teacher, Lisa Kays, teaches improv AND is a therapist. Geez.
Class #2 next week...